Academic Resource Center
Wheeling
Jesuit University
How
Do I Write a Coherent Paragraph
and
Make Transitions?
The topic sentence is not the thesis of your paper. Rather, it is the controlling idea in a paragraph.
ü
If you have five paragraphs in your paper, you’ll
have five topic sentences in your paper, one for each paragraph.
ü
Taken within the specific context of the
paragraph, the topic sentence serves as the sub-thesis of that paragraph.
ü
Typically the topic sentence will begin the
paragraph; the rest of the paragraph ought then to support whatever claim
you’ve made in that topic sentence.
ü
Anything not specifically related to that topic
sentence DOES NOT BELONG (see section on paragraph coherence/unity) and ought
to be removed.
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In those rare instances when a topic sentence ENDS
a paragraph, it ordinarily serves a rhetorical effect: you may choose to begin
with a particularly compelling anecdote or series of facts, after which a topic
sentence could serve as a conclusion drawn from the information preceding it.
Things to Watch For:
ü A
topic sentence gives a paragraph its “point.”
If you can’t identify the “point” of a particular paragraph in any of
its sentences, then you need to work on developing a better topic sentence.
ü If
there are really two ideas battling for space in the paragraph, make two
paragraphs with two topic sentences.
ü Avoid
generalities: a topic sentence that is too broad is impossible to support in a
single paragraph.
ü
Often, topic sentences do double-duty as
transitions between paragraphs; however, a transition is not necessarily a
topic sentence, nor does simply including a topic sentence at the beginning of
a paragraph provide a smooth transition (see
section on transitions).
Paragraph development happens as a direct result of proper formation of topic sentences. There are several forms of paragraph development, a couple of which are discussed below:
1. Extended
anecdote/example
This is the simplest,
most straightforward way to develop a paragraph. Say your thesis is that seatbelts save lives. You may want to start your argument with a
little morality tale about the star quarterback in high school who squandered a
potential career with the Steelers because he wasn’t wise enough to wear his
seatbelt. You ought to be able to do
this in a paragraph, and the paragraph should contain no extraneous details (like how cute he was, how many touchdown
passes he threw, even where he was headed when the accident happened—unless it
has bearing on the seatbelt usage). Ideas to develop are his feelings about
seatbelts, his motivations for not wearing them, what happened to him because
he didn’t have a seatbelt on, and what might have been had he been wearing the belt. These ideas will stand you in good stead as
you move on to a broader argument (one
isolated anecdote won’t be enough) in favor of seatbelt
usage. You’ll also have some ready-made
transitions to major points, because you can refer back to your example of the
poor quarterback.
2. A
series of facts and/or smaller anecdotes
Here you may cite,
without elaboration, numerous examples: the class president, the star
quarterback, the captain of the chess team, etc., all of whom failed to wear
their seatbelts for one reason or another and all of whose lives were
ruined. Here, the idea is not depth, as
in the extended example, but breadth:
look at all these lives ruined by failing to buckle up. Or you might talk about relevant statistics
in a paragraph on seatbelt and non-seatbelt fatalities, using local, state, or
federal studies on the relationship of seatbelt use to safety. Details, facts, examples, or arguments all
go to support a thesis, and each has a distinct function in an essay, one that
ought to be recognized within its own paragraph.
Things to Watch For:
ü Stay
on the topic introduced in the topic sentence.
ü In
other words, don’t shift from Department of Motor Vehicles statistics to a
tearful tribute to the potential athletic prowess of the star quarterback
within the same paragraph. That will
destroy the unity and coherence of your paragraph and obscure your “point.”
Good topic
sentences promote, first and foremost, unity.
Say you’re writing a paragraph about famous people who should have worn
seatbelts but didn’t, and then suddenly, out of nowhere, you begin sermonizing
about the dangers of driving under the influence of alcohol. No one can argue the sincerity and basic
truth of your point, but—here’s an important thing to remember—it’s not your
topic in this paragraph. It may seem
related, but the chances are this doesn’t belong anywhere in your essay on why
people should wear seatbelts. This is
incoherence.
How do you write a unified paragraph?
ü
The topic sentence is key.
ü
Just as the thesis is the guide by which you may
refer back and see that your entire paper is unified or coherent, so the topic
sentence is the guide to which you may refer to establish that the sentence in
question—within a specific paragraph—is not on a different, however related,
topic.
Example:
If
your PAPER is on seatbelt use, it’s not enough that each of your paragraphs
stays on the topic of automobile operation.
Each paragraph ought to deal with a particular aspect of why wearing
seatbelts saves lives, and ONLY that paragraph ought to deal with that
particular aspect.
Things to Watch For:
ü
Within the same paragraph, transitional words and
phrases like “Another consideration is…” or “Conversely” or “On the other hand”
or “Additionally” signal a shift in the argument from one idea to the next:
time for a new paragraph—you’ve even devised a transition.
ü
Transitional phrases typically designate movement
not only between ideas but also between the paragraphs that contain the ideas.
ü
Watch especially for when you come to a sentence
that has you asking “Where did that come from?” or has your wondering if that
idea wasn’t what you were really getting at in another paragraph in your essay.
A transition can
be any word, phrase, or sentence that clearly shows the reader how an idea
(and, by extension, a paragraph) is related to the ones that precede it. When writing individual paragraphs, you are
likely to use transitions that fall into one of three categories; the first of
which has three sub-categories:
1a. Transitions that
indicate that you are about to add to, or amplify, what you have just said:
|
also |
similarly |
furthermore |
in addition |
|
then |
moreover |
in other words |
|
1b. …or that you are about to use a specific
example to support what you’ve just said:
|
for example |
for instance |
to illustrate |
1c. …or that you are numerically or sequentially
marking your essay’s points:
|
first |
initially |
second |
next |
finally |
2. Transitions
that indicate that you are about to contrast what follows to what came before:
|
nonetheless |
but |
by contrast |
yet |
|
nevertheless |
however |
on the contrary |
despite |
3. Transitions that indicate that you are drawing a conclusion from previous information in the essay, or which otherwise adding a sense of finality:
|
in conclusion |
consequently |
thus |
to conclude |
|
in summary |
accordingly |
therefore |
as a result |
To use transitions
effectively, you must first have clearly though out the logical steps your
paper will take in order to successfully argue your thesis. Before transitions, then, before
paragraph unity and coherence, before topic sentences, you must first develop a
good thesis and then understand the progress of your paper’s argument to
satisfy that thesis.
| Last Update: April 15, 2003 | [ Close Window ] |
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